The Range Series, inspired by
the cinematic climax of the film The Last Picture Show,
revisits the death scene of cinema itself. Within the movie,
The Last Picture Show, we are witness to the death of a small
Texas town as symbolized by the closing of its movie house. In
the theater’s final screening, we see a short scene from the
movie, Red River, savored by the town’s few remaining
residents. In it, cowboy’s cattle call, like talking
heads in extreme close-up, to start the long cattle drive in a movie
about progress and movement, laid within a movie about decline and
inertia. My drawings, like a movie still, are frames frozen in time,
caught somewhere between ecstasy and agony. They act as artistic
remnants of our own psychological ambivalence – we are the
West, both projected hero and fallen icon. Somewhere between
pleasure and pain, these images flicker forever in the psyche-- manifest
as a shimmering, mirage-like myth in the cultural imaginary.